Three months ago, it was about who experienced the punchier selection now it&rsquos whose marketing campaign would make best use of an Australian model. The photographic ads for Hedi Slimane and Raf Simons&rsquo debut collections for Saint Laurent and Christian Dior, respectively, have now the two been released, with both equally designers inadvertently fueling their media-fabricated rivalry by picking local faces to front them. This will come after product of the moment Ruby Jean Wilson&rsquos domination of equally the Marc Jacobs and Louis Vuitton campaigns.
Slimane&rsquos black and white photographs of Julia Nobis for &lsquoPart 1 &rsquo of his marketing campaign garnered mixed critiques from the discussion boards, with his selection of design finding additional favour than his monochromatic photography style. For Simons&rsquo marketing campaign, he&rsquos preferred Willy Vanderperre to lens and six -foot Brisbane stunner Nicole Pollard to star alongside the comparatively unique Daria Strokous, Marie Piovesan and Anna Martynova.
Pollard was booked as a Dior exclusive for the label&rsquos Spring 2013 present in Paris, in which Julia Nobis also walked. The surrealist photos are a huge departure from Dior circa Galliano, but even individuals of the belief that they seem considerably less like a vogue campaign and a lot more like screengrabs of a Stepford Wives movie video game can&rsquot argue that picking somewhat unidentified faces is an inspired shift for a revamping brand.
Taken out from the intended feuding but not from the obsession with local faces is Valentino. Photographer Sarah Moon shot the Sunlight Coast &rsquos Codie Younger , who excels at looking pasty and a bit drugged in the ideal way doable, in a ghostly campaign produced in a Parisian studio.
Pictures : Dior.com & Valentino.com
0 comments:
Post a Comment